Operating at the liminal threshold where the material meets the invisible, my multidisciplinary practice examines how time, transition, and memory take shape within space. Driven by a personal exploration of rootlessness and the fluid friction between time and recollection, I create installations, multi-layered imagery, and environments to map the boundaries between physical topographies and the interior psyche.

My process balances systematic, cinematic world-building with intuitive acts of complete surrender. Moving away from rigid, text-heavy archives, I adopt curation and non-linear visual mappings as my primary vocabulary, influenced by Aby Warburg’s concept of the Bilderraum (image space). To navigate these complex layers of history and identity, my framework embraces chance and intimacy as guidance, relying on tarot readings as an compass and close dialogues with my mother.

Materially, my practice actively disrupts flat viewing planes. By layering, suspending, and distorting translucent materials like plexiglass alongside industrial wire and projections, I reconstruct fleeting archival fragments into tangible, three-dimensional structures. By inviting the audience to step into the physical gaps and shadows between these flowing structures, the boundaries between my inner emotional world and the spectator's external reality begin to dissolve. Ultimately, my work positions the viewer right on the very edge of the frame, caught within an enduring state of transition where past traces, maternal ties, and spiritual navigation continuously dissolve, overlap, and reform.